doodles on inks on tissue paper on the last page…
…a book with another happy ending!
While I was playing with my new inks last week, I developed some of these experiments on Thursday’s and Friday’s pages
With a thick coating of white gesso on part of the page, scribed with pencil for deep furrows of swirl, the inks had routes to wander around
and new routes made with small watercolor brush, trying the page together as a whole.
The ‘day last-but-one’ thing – well, I’ll explain that bit later…. đ
The range of colors, the colors themselves, all add up to a mood or visual sensation. By changing the hues, we change much more.
Restricting colors (I find this a BIG challenge!) is a technique I am striving towards.
When space limits me to work on just one project at time, the Inner Kid won’t listen to me. “More Colors!” is the constant command.
If I had a few pieces on the go and space to dip between them this would be much more simple
But for now, working within the parameters of my living/painting space, I have to exercise a little more self discipline to make these more subtle images happen
Initially this page was to be just 2 colors: Olive green and burnt orange.
So the fact that I only allowed in some different shades of orange, I consider a victory!
And the results have (for now at least) left Inner Kid in slightly hushed awe: Maybe less is more!
I don’t think any of us are surprised to find, that after a monochrome day there was a pent up explosion of color just ready to burst out of my head onto the page!
Dripped ink puddles on the page
But before the top layer of writing /doodles, these puddles need *something*
They need some …. they need to fizz … to explode
There’s a spirit in wet ink that just has to be coaxed out
Enlivening, twisting, meandering. These lines come by dragging threads through the puddles
I’ve thought about a black and white page for a while.
I’ve even tried.
But resisting any color at all was harder than I cared to admit!
Anyway, prompted by John Clinock of Art Rat Cafe I determined to give it another go. Armed just with black and white gesso, black and white Dr PH Martens’ Bombay Inks, black and white gel pens, this is what happened!
I’d do it again – thanks for the nudge, John!
Two pages in one post,
Alternating between transparent, opaque, and water in drips and runs, watching the pigments flow and merge;
Pulling at the puddle edges with a brush or pen or stick… imprinting in wet ink…
Big love for ink!
Remember the watermarked dyed paper ?
This week I’ve been playing with ink (quite a lot!) So it followed that where water does one thing, ink should do similar but with more colorful results!
I used Pebeo Colorex ink (Chartreuse. My fav color de jour!) they have a real glowing transparency and mouth-wateringly rich color! On pre-scrumpled paper they run deliciously through the landscape of the paper’s surface.
The quilt-making (more on that later) is my current obsession, and the urge to stitch is cropping up everywhere!
The other side of day / page 40 had folds already in place from which to make structure.
These created rectangles in which to hold doodles.
It was another page that spilled into its neighbour, repeated shapes formed along the far edge along with inky grass-green spillage and over spray.
Coming together as a whole, like this.
This Monday’s thing was folding.I like the way that colors puddle and travel along the folds.
(I say that like every Monday has a special ‘thing’. It doesn’t. I am fond of Mondays though.)
It’s popular to have a strong dislike for Mondays. They signify the end of the weekend (which we are supposed to enjoy) and the start of the working week (which we are not)
But I like Mondays. I guess cos I don’t bear a huge grudge against working. I like the feel of ‘starting over’ that Monday’s have.
But it would surely be a dull world if we all felt the same way bout stuff đ