Stenciling Violet-Blues

Exploring Violet-Blue by breaking all the rules of stencils in the paper dying process!

If youโ€™ll believe in me, Iโ€™ll believe in you. Is that a bargain?

โ€“ The Unicorn

On Contrariness

The rebel part of me who yearns to do the thing the opposite way from which itโ€™s intended is secretly enjoying the ride of this ‘down is up, up is down’ year.

And that got thinking about stencils.

The point of the stencil is for neat tidy edges with regular lines and orderly patterns, and the contrariness of distorting the lines from a stencil appeals to my creative heart so much.

I love smudged edges and misaligned prints. I love worn paint effects, skipped lines, mis-matched patterns, mis-sprayed with glimpses of background showing through.

All this is why I love using stencils in my paper dying experiments, so thatโ€™s where Iโ€™m going in todayโ€™s first dabbles with this month’s color: Violet-Blue. 

Being a tertiary color, Violet-Blue straddles the space between its neighbours in the color wheel, the place we find the moody mauves of bluebells and forget-me-knots.

And Iโ€™m excited to see how that works out in this process!

Iโ€™m using two inks: Violet by Colourcraft Brusho and Cobalt Blue by Pebeo Colorex. This blue has a strong violet undertone, and the violet is right at the coolest edge of the hue. 

Iโ€™ve got a few different types of paper to play with – cartridge paper, regular copy paper, ultra thin Tomoe River paper, and some heavy watercolor paper. Different weights and absorancy of the papers all take up the ink in a different way.

Paper dying basics:

  • Play with a variety of paper for a range of effects
  • Torn edges often soak up ink to make darker edges
  • Wet the paper with water – spray or brush or sponge or drip.
  • Layer with stencils, (and/or bubble wrap, string, plastic wrap.)
  • Add ink (writing ink, drawing ink (thin it with water if it’s thick and gloopy), watercolor paint, dye, food coloring….
  • Keep adding overlapping layers of paper, water, color, stencils…
  • Leave to dry.
  • Unpeel the layers to reveal the magic!

Wet paper (especially the super thin stuff) goes wrinkly and buckles up. This adds even more patterns as the ink escapes through gaps and wiggles through in little rivulets between the layers.

If you don’t like the really crinkled effect you can always press the paper flat with a warm iron after it dries, or squash flat under some heavy books..

But if you do like this texture, try adding more by crumpling and folding the paper in places before you begin. Where the surface is disrupted like this it often allows the ink to penetrate the fibres more and makes a darker, stronger pattern.

Here’s my Violet-Blue stencil play!

What’s next?

Some of these turned out so pretty I’m leaving them just as they are, but others will be backgrounds for further adventures – maybe another round of stencil dying – maybe something else ๐Ÿ™‚ I’ll be back next week to show you more!


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green, Green, Blue-Green & Blue)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

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25 more days of junk journaling

To celebrate the halfway mark in the 2020 #100dayproject, here’s a quick whizz through the next 25 pages in this ever evolving junk journal.

The 2020 #100dayproject
is over half way through!

To celebrate the halfway point, here’s the next 25 page skip through the pages in this ever evolving junk journal.

You can see the first 25 pages here ๐Ÿ™‚

 

I am having the most fun making this!

I think the key to the 100 day project for me is to always be ahead of the game. Previously I’d find myself chasing my tail to get something done and posted every day. It got progressively less fun day by day!

That’s the reason I chose to make a junk journal for my 2020 project.

Every page is made from already started artbits of dyed book pages, painted papers, oddments and scraps from around my studio.

So my foundations were solid this time.

And I’ve been adding to the pages ahead of time. As I find more things to add, or have left over paint to use up, I find a space in these pages and add a little bit more. When I’m stuck for ideas I pick up this little book and doodle a bit.

The one part for me that I keep to a strict daily practice is to number and date today’s page and post it to Instagram.

A side benefit is it’s a daily reminder what today’s date is – which right now is the only way I know!

So join me, will you?

 

I’m @mixygregory over on Instagram, and for the course of these 100 (or so) days I’m posting daily updates with the tags

#100daysbymixy and/or #100pagesbymixy

(because being consistent was never my strongest skill.)

 

 


Word Soup

A stream of consciousness on the theme of the color.

“Life is a continual flow of events, streaming in from the universal stream of consciousness in such a way that it exactly matches our own stream of consciousness.”

Neale Donald Walsch

I like to use text in my art. My art journals and sketchbooks are strewn with scribbled down words and phrases, song lyrics and notes to myself. I jot down things I hear as I’m doodling, from the radio or a podcast. Sometimes words just appear in my head and I have to trap the thought on paper before it evaporates.

Other times words are just another form of mark making, a sort of a scribble to fill in a space, a dance for the pen across a surface and make some pleasing patterns. Words over words over words become a cacophony of layered shapes, delightful squiggles that merge into one vivid buzzing hum.

“Word Soup”

While we are exploring a single color at a time, I played this is with idea using word association. Words connected to “Blue”.

I grabbed a bunch of blue pens and set about filling my paper with a stream of consciousness about my thoughts on the color blue.

I set a few ground rules to begin:

  • One word, change pen.
  • Rotate the page between each word (to stir up the word soup).
  • Don’t think – if nothing comes to mind – begin again with ‘Blue’.
  • Repeating the same words is just fine.
  • Keep cycling round until the paper is full or I get bored with it – whichever happens first!

The pens themselves effect how it turns out – some are chunky and make big, bold letters, some flow easily, some are scratchy and prone to skipping. All of this is great – it adds to the variety and fills the space with different shapes and marks.

I kept going until I’d filled the space, then gave it all a wash over with some water to merge the colors just a little bit more.

Here’s my Blue themed stream of consciousness


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green, Green & Blue-Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

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Mind Like Water

This week I’ve been noodling about with some collage ideas.

I can’t see the color blue without thinking of water.

Each time I take this circular journey through the colors, I build a familiarity with each segment of the wheel, and each time I get to the blues I’m drawn into making something watery!

This time I want to keep it super simple, to allow the water make the patterns.

I gathered up all my water based pens and water soluble media (my favs are the Derwent intense blocks, but this time it was the felt pens that made the best inky patterns).

Using all these blues on watercolour paper, I made some scribbly marks – doodled lines, dotted and dashed, thick and thin, light and heavy, wiggly, wavy and straight – some over lapping and some spaced apart.

Brushing loosely with water to loosen the pigments, I left it to dry. What I find really fascinating in this process is seeing how the ink colors separate – the undertones of turquoise and violet appear and surround the main hues of blue.

Let water + serendipity be collaborators in your art!


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green, Green & Blue-Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

Processingโ€ฆ
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You’ll get an email to confirm you’ve signed up and are human. Sorry, only humans (and their cats) can join. Check your spam folder cos sometimes the good stuff gets swept in there by mistake. Check with your cat too. You know it’s what they expect.

Soothing Blues

This week I’ve been noodling about with some collage ideas.

โ€œBlue has no dimensions. It is beyond dimensions.โ€ย 

~ Yves Klein

This month in our adventure around the color wheel, we’re exploring the cool and soothing tones of blues.

This week I’ve been noodling about with some collage ideas.

I’ve always got a stack of painted papers under my desk – created from mopping up the last of what’s on my palette before it dries up – and ready for backgrounds and collage bits in my art journals.

That’s what inspired me to play with this idea in monochrome blues.

I began with two postcard sized papers, painted in blue acrylic paint:
One for the background and one for some bitty torn up pieces.
I do love me some torn edges!

Using diluted PVA glue to attach the bits, in between the collage layers I gave it all a wash with watered down blue ink. The rough torn edges soak in the ink and create lovely outlines to each shape.

Like most of these experiments, there’s no right or wrong way, but if you’re looking to make something bit like this, here’s how I did this.

(excuse my messy desk and inky fingers!)

“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green, Green & Blue-Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

Processingโ€ฆ
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You’ll get an email to confirm you’ve signed up and are human. Sorry, only humans (and their cats) can join. Check your spam folder cos sometimes the good stuff gets swept in there by mistake. Check with your cat too. You know it’s what they expect.

waves

Playing in this part of the color wheel naturally lends itself to watery effects. Inks and watercolours swirl beautifully on puddles of water and mingle together.

Today’s one-color piece came about by accident, through a series of frustrations, not knowing what I wanted to make.

As the colors mingled and the shapes began to show up I saw a pattern emerge – I caught a wave – and let it carry me through this process.

Like all creative folk, I don’t always love what I’m making – I don’t always feel lit up inside by a vision of what I’m making – and I don’t always feel sure it will result in something good / usable / worth the time it took to make.

But experience has shown that, more often than not, I can bring it round. At least to be better than it was at it’s lowest point.

And, even if I don’t like it now, I will likely see it through different eyes in the future. Perhaps it needs to be put away for a while to rest so when I revisit it I can see what it needs to bring it around to be something I like.

I began this piece moving color about. Two turquoises, a greenish-blue & a blue-ish green. The very first wiggles and waves in the paint marks became a repeating motif, despite them being lost under layers quite early on, I think that idea was lodged in my unconscious thinking.

A thing I often find myself doing while I’m lost in the ‘no idea’ foggy stage I’ll just smother more and more layers until a critical mass of muddiness appears – like the tide which reaches it’s furthest stretch and has to return – there’s no more way to add more paint so I have to blot some away.

Then if all else fails, cut it up and rearrange the bits.

Here’s how this piece came together…


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green & Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

Processingโ€ฆ
Success! You're on the list.

You’ll get an email to confirm you’ve signed up and are human. Sorry, only humans (and their cats) can join. Check your spam folder cos sometimes the good stuff gets swept in there by mistake. Check with your cat too. You know it’s what they expect.

a place to rest

Playing in this part of the color wheel naturally lends itself to watery effects. Inks and watercolours swirl beautifully on puddles of water and mingle together.

How are you adapting to this new upside-down world?

In all the uncertainty I’m finding my feet in small ways by coming back to some familiar practices: Simple things, safe places, one day, one page, one color at a time.

I hope you’re able to find some moments to step aside from the background noise of the news and the confusion.

Playing in this part of the color wheel naturally lends itself to watery effects. Inks and watercolours swirl beautifully on puddles of water and mingle together.

If these colors have a textured surface to run rivulets through, all the better. I used some clear tar gel medium, but any gel medium, gesso or mod podge will do. With a thick layer you can draw valleys and squiggles in the surface (any tool with a pointy end – I keep old pens that have run out of ink, also forks and combs work well. As do fingernails)

Let the textured surface dry completely then splash some water on. Inks and watercolours dripped into the water will wiggle along the paths in the texture.


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green & Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

Processingโ€ฆ
Success! You're on the list.

You’ll get an email to confirm you’ve signed up and are human. Sorry, only humans (and their cats) can join. Check your spam folder cos sometimes the good stuff gets swept in there by mistake. Check with your cat too. You know it’s what they expect.

Bluey-Green & Greeny-Blue

If you’re feeling adrift in between places, in between times, join me for a dreamy watercolor interlude in between blue and green.

In Between Places, In Between Times.

Well hello, fellow twilight zone dwellers. Are you feeling as betwixt and between as I am?

Last week we stepped around to a new month, so it’s time to shift attention to the next bit of the color wheel.

This month is all about the delightfully fresh aqua tones of turquoise & teal, the in between place that’s not quite blue and not quite green.

Here’s a little dreamy interlude of watery watercolours, I hope it inspires your creativity, or at least gives your thoughts a place to rest for a few minutes.


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow, Yellow-Green & Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

Processingโ€ฆ
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You’ll get an email to confirm you’ve signed up and are human. Sorry, only humans (and their cats) can join. Check your spam folder cos sometimes the good stuff gets swept in there by mistake. Check with your cat too. You know it’s what they expect.

Doodling Details

Sometimes I find my painting experiments take me to unexpected places. And the results aren’t always what I’d like them to be.

“Art is in all the details.

โ€” Christian Marclay

Little Steps

As I type this, for context, we’re on lockdown day 1 in the UK.
Early days in the unfolding story of 2020.

It seems more poignant than I could have predicted to be talking today about the little steps along the path to an uncertain destination.

The context I had in mind was about creating mixed media art in a single color. And saying it now feels trite and superficial.

But, this is here to take or leave as you choose. It might serve as a distraction, or a metaphor, or just some visual music to soothe a few minutes in your day.

The true secret of happiness lies in taking a genuine interest in the details of daily life.”

~ William Morris.

In life, in art, the details are what I’m focussing on right now.

Especially when using a single color, it’s the little details that bring a piece to life, adding character, dimension.

Details in a neutral color (black, grey tones, white) break up the intensity of a solid field of one hue. That’s exactly what I did here.

Above all, doodling is a low-mental-bandwidth activity that seems to dissipate angsty monkey mind chatter.

You don’t need a plan, just follow the lines and shapes. Use little marks, dots, scribbles, whatever shapes take your fancy. For once, don’t look at the bigger picture, just take a little area and dance the pen about. Doodle until you’ve had enough and then set it aside. That’s all there is to it!


“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow & Yellow-Green)

Iโ€™d love for you to join me. TWELVTY is open to everyone, and better yet, itโ€™s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

Processingโ€ฆ
Success! You're on the list.

You’ll get an email to confirm you’ve signed up and are human. Sorry, only humans (and their cats) can join. Check your spam folder cos sometimes the good stuff gets swept in there by mistake. Check with your cat too. You know it’s what they expect.

a small distraction

Just for five minutes, let’s look away from all the chaos and uncertainty. Join me between the pages of my art journal. Let’s go hide out amid some squiggly doodles and swirls.

Friends, I’ve got a 5 minute distraction for you.

Let’s go hide out amid some squiggly doodles and swirls.

Just for five minutes, let’s look away from all the chaos and uncertainty – join me between the pages of my art journal.

I don’t (usually) start on the first page an art journal, or methodically work my way page by page through. It doesn’t have a right way up or an upside down. Everything goes everywhere.

(I’m far too flighty and easily distracted.)

Instead, I’ll flip back and forth, adding colors, shapes, doodles and scribbles in the spaces until it feels finished. This book is almost done, so I thought I’d share some of my page hopping doodle process.

Page Hopping Doodle Flip.

I hope you enjoyed this flip as much as I enjoyed making it. I’ll be back in a few days with an update on TWELVTY progress. Until then, take good care. Much love to you.


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