Types of Stripes

Sometimes a series of simple actions – paint smeared and dolloped onto paper, folds, slices, arrangements – can add up to something new with a curious charm you’d never have anticipated.

Painting, I think it’s like jazz.

Brian Eno

One part of this year long color a month adventure I really enjoy is discovering new ways to play with the same patterns.

Really simple patterns – we’re talking fundamental building blocks here – the squiggles, the dashes and dots. And one of my faves:

Stripes & Lines

How many ways can you make a line on paper?

  • Aside from drawing or painting
  • Lines can be straight and wavy, and a bit of both.
  • Consider tearing or cutting.
  • Experiment with folding and pleating
  • Layer pieces together and see the shadow of a partially stuck down shape form another line.

Simple is not always easy, as I explained yester-post. But sometimes it actually is.

Sometimes a series of simple actionspaint smeared and dolloped onto paper, folds, slices, arrangements – can add up to something new with a curious charm you’d never have anticipated.

welcome back to my messy desk 😉

“Twelvty” 12 Colors in 12 Months

Every month this year I am making a series of pieces in just one color. At the end of the year I’ll combine them into one big multicolored work. 

I’m sharing my process throughout this adventure here in this blog. (So far this year I’ve explored Yellow & Yellow-Green)

I’d love for you to join me. TWELVTY is open to everyone, and better yet, it’s free!

Sign up for my newsletter to find out more and get your free TWELVTY guide ebook. 

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the same, but different.

I’ve been playing with patterns again.

watercolour, gel pen

How many ways can one simple patterns look so many kinds of different in different media, in contrast and colors, in scale and size?

collaged paper, marker, ballpoint pen

A pattern is defined as the repeated or regular way in which something is done.

pencil, concentric marks

An arrangement of lines or shapes,
a design in which the same shape is repeated
at regular internals over a surface.

gesso, charcoal, marker, gel pen

A pattern is an arrangement of form,
of natural or chance configurations,
a regularity in the world,
in human made design
or in abstract ideas.

acrylic craft paint, with sponge & paint brush

Our psyches are plumbed in such a way to seek out and construct patterns.

collaged cut outs of painted watercolor paper

We organise and categorise our ways into behavior patterns.

gouache

Patterns are as much about the arrangement of the component parts as they are the parts – the shape of the space in between.

pencil, gel pen, marker

I was quite entranced by these thoughts on holiday recently.

I had this little sketchbook and just a few colors. As I noticed the repeating patterns around me I began to play, when I got home I continued to fill up this little book with more variations.

I explored a similar idea before, but now I want to carry it on further – with simpler forms – maybe a circle or a square – maybe in just one color – just to see what’s possible.

If you’d like to see more ideas like this and find out what’s been inspiring me, sign up for my monthly studio musings newsletter here.

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I’ll pop into your inbox about once a month with news on what I’m up to in my colorful little corner of the universe and what’s been inspiring me.

A book of ideas

Where do you find your inspiration? how do you stretch your creativity to include new patterns and shapes?

While I took a long pause from painting and drawing through the summer, seems maybe my muse melted in the heatwave,  I was all out of inspiration for weeks. Instead I turned my attention to sewing and spent my spare time adding to this ongoing project .

Then, as suddenly as the ideas had dried up, they began to repopulate my thoughts.

A couple of months ago I started a new art journal. This time, instead of my usual blurted streams of consciousness, wild splats of color and scribbled thoughts, I have something of a theme going on this time.

The background for an “inspired by” spread
The background for an “inspired by” spread

The pages are beginning like usual, with splashes and washes of color from messy brush wipes, patches of color to use up left over paint.

BUT, the next step is the new part: every page is has space for drawing something I’ve been inspired by.

So often I take photos of patterns and shapes, so often I save images from artists and designers.

All the things that light up my imagination and set off a new train of doodles.

So I’ve got an enormous catalogue of inspiration tucked away in my phone, my bookmarks & favs.

When I get a spare few minutes, or when I want to warm up my drawing brain, I go to my art journal to add drawings and doodles inspired by someone or something in my list.


I was fascinated by the shapes and lines of these rocks on the beach in Cyprus last month. Dozens of photos of these wonderful wobbly lines. This is the first of a series they inspired.

Meanwhile, other artists have been drip-feeding ideas into my mind too. I invite their influence to stretch my skills, to let their style add new aspects to the way I doodle.

Alisa Burke creates fabulous flowery mandalas and often shares her process in Instagram. It’s such a meditative process, watching the patterns unfurl onto the page.

This is the first of  my inspired by Alisa spreads.

art journal spread inspired by Alisa Burke
art journal spread inspired by Alisa Burke

Where do you find your inspiration? how do you stretch your creativity to include new patterns and shapes?


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100 lessons from 100 drawings

In no particular order, these are the realisations that accompanied this project. These were observations I heard over and over again in my thoughts, page after page… 

“Life imitates art” but art imitates life too.

(I read that as ‘art irritates life’ just now. Also true) 

 

100 daily drawings taught me a lot more about drawing, more than I realised I didn’t know. Drawing techniques, practicalities, possibilities, and all that comes along with steady daily practice.

But there seemed to be bigger lessons showing up as well.

These were observations I heard over and over again in my thoughts, page after page. Of course many of these revelations aren’t really about drawing. They are about everything.

In no particular order, these are the top 100 realisations that accompanied this project.

  1. It’s been an exercise in letting go of expectations, of ideal outcomes, and the accompanying paralysis of progress.
  2. I’m learning to let go of ‘finished looking’  – being finished – being a ‘piece of art’ (whatever that might be).
  3. Letting go of what other folks think, a neediness for approval or validation.
  4. Letting go of the rules. This is my book: my rules. Rule 1: there are no rules.
  5. ‘Drawing every day’ isn’t even a rule.
  6. Drawing for 100 days doesn’t mean 100 consecutive days.  Don’t make up excuses to stop. Pick up and start again. Keep doing this. Just get to 100. 
  7. The photo is only a guide, a suggestion, a jumping off point. This isn’t an exercise in copying. A drawing can’t be wrong.
  8. It doesn’t have to have the same colors, same shape, same perspective.
  9. It doesn’t have to be the same every day – the same time, the same ‘style’, the same anything. Just another day, another page, another drawing. Keep exploring the other-ness
  10. Some days have a flow to them – some days have an awkwardness – some days are fuelled by imagination – some days are an uphill slog.
  11. Some are bits of all of these and flit and flicker between.
  12. Some pages have words – information – data – facts – important-to-remembers.
  13. Some page’s words and rememberings are from another day and don’t make sense any more. And that’s okay.
  14. Some days are unfinished. They will stay that way. I don’t have to go back. (there is no real ‘finished’).
  15. Some days get lost and forgotten.
  16. Some days are just made for catch ups.
  17. Some catch ups are liberating – rejuvenating – expansive – explosions of imagination.
  18. Some catch ups are uncomfortable and riddled with angst.
  19. Some catch ups are a cold hard slog and bring up all the WHY???s


  20. Sometimes it feels like a trajectory that cannot fail.
  21. Sometimes it feels like losing footing – in slow motion – in the dark.
  22. Sometimes it feels like treading water – waiting – waiting – waiting….
  23. Sometimes it feels like falling – sinking – drowning.
  24. Some drawings take on their own life with unseen meaning.
  25. Some drawings take on their own life with an energy that didn’t come from me.
  26. Some drawings have their own momentum – I watch them take shape with the curiosity of an outside observer.
  27. Some drawings just don’t care. I could learn the most from these.
  28. Some drawings have to be inched out slowly.
  29. Some drawings surprise me by the reactions they evoke from others.
  30. Some drawings surprise me by the feelings they evoke in me.
  31. Some drawings overwhelm, some disappoint, some pass unjudged.
  32. Some drawings have stories that let out secrets.
  33. Some drawings are stories that hide more than they reveal.
  34. Some stories are universal, everyone recognises a little bit of it in themselves.
  35. Some stories are so deep they are unfathomable.

  36. Some projects are way larger than the sum of their parts. This is certainly one of them.
  37. Some projects are a stepping stone to a place I never knew existed before I started.
  38. Some projects are meant to be finite. Done is done.
  39. Some projects are meant to be repeated – reiterated – revisited.
  40. Some projects are not supposed to be finished. They hang….
  41. Some projects are so deeply enmeshed in a life, we are one and the same.
  42. Some projects are fun to watch – to join – to play along.
  43. Some projects never escape the confines of my mind, jammed up in the mechanism of the mental rotadex.
  44. Sometimes the purpose will shift and change midway through. Over and over. The act of shifting becomes the purpose.
  45. Sometimes the purpose won’t show itself until long after it’s over.
  46. Sometimes the purpose is only clear to others.
  47. Sometimes the purpose is only clear to me – and that’s all that matters.
  48. Sometimes the purpose is unique to everyone who witnesses it.
  49. Sometimes the purpose is unique to the season – or to the day.
  50. Sometimes the way it seems, is the way it is. Sometimes it’s not been close.
  51. Sometimes the way it seems is only a clue. It’s a seed, or a plan, or part of a bigger pattern.
  52. The more I look for patterns the more I see them.
  53. Patterns can be visual, patterns can be habitual, patterns repeat.
  54. Patterns within patterns fascinate me most.
  55. It’s ok to get stuck in one color for a while, the other colors will wait.
  56. It’s ok to use all the colors – or none of them – or not care which.
  57. It’ll never be finished, so keep moving forwards. 
  58. It’ll never be perfect, don’t ask it to be.
  59. This might not answer the questions you thought it would.
  60. This might not answer any questions. It might lead to more questions…
  61. This might have no meaning at all – right now – or ever. And that’s okay too.
  62. If a meaning wants to show itself to you, it will find a way.
  63. Whatever is underneath, showing through, is part of what is now. Let all the elements become parts of the whole. Allow the merge.
  64. Describe the drawing in words –  this is where the metaphors hide.
  65. Describe the drawing out loud,  it’s subtly different.
  66. Shift the emphasis foreground to background, positive to negative space. Dance in between them.
  67. Choose which details to use, which details to ignore, and which to make up.
  68. Choose the image from within the image.
  69. Find the art inside the photo.

  70. Notice how some images repeat, return and revisit.
  71. Notice how some characters keep showing up.
  72. Notice how some character’s expressions are the same: the face that asks: you still trying to draw me?
  73. Notice how color schemes repeat.
  74. Notice the themes of facing pages match unconsciously.
  75. Notice how time concertinas in and out when you count the days.
  76. Notice how the seemingly simple is really complex. And how the complex can be divided into manageable size bites.
  77. How complexity presents a challenge, then the victory, the good enough level of mastery.
  78. Balancing good enough against keep trying.
  79. Knowing when to stop, knowing when to keep going.
  80. How it’s all a freaking metaphor (and that’s all of these too).
  81. The bravery to pursue a doomed drawing, to trust it to turn around and turn out good, or just okay.
  82. The bravery to post a picture I didn’t like, and the ones I did.
  83. The bravery of sending these out into the wilds of the internet. It can be cold out there.
  84. The revelation that others might like what I didn’t, see a beauty I can’t.
  85. The revelation of turning the page, not looking back for a few weeks. How what’s on the page ‘gets better’ when it’s left to rest.
  86. The revelation of drawings I hated, that hold no strong feelings now. And drawings I loved.


  87. How much a background wash or splot of paint makes adds to a drawing.
  88. How much a patch of color shifts a mood.
  89. How much the character of the drawing is from the colors.
  90. How much a drawing style develops over time, but can’t be seen from such close quarters or day to day.
  91. How much a drawing style develops through simple repetition.
  92. How much simple repetition is the key to it all. How much simple repetition is the key to it all. How much simple repetition is the key to it all. 😉
  93. How ideas will hide and evade when called for, then descend en masse when it’s too late (and how it’s never really too late).
  94. How some ways of making are so ingrained I don’t know there are other ways.
  95. How chasing the other ways is part of the learning.
  96. How finding other ways leads to new kinds of learning.
  97. There are always going to be new ways of learning!
  98. The journey is a spiral. The path isn’t re-trodden, next loop around looks familiar, but the view has altered.
  99. The journey keeps going. Keeps going.
  100. The mixed emotions at the end of a project, the end of an adventure, the intangible closure.

 


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art is everywhere…

…but you knew that, right?

I’ve been looking at some of my old sketchbooks. Back in 2011 I did a textile art workshop. The topic for our designs was grids.

The week before I’d been to the Kniting & Stitching Show at Ally Pally – I came home with bags of new goodies to play with, and a camera full of ideas.

I was really struck by these images of the frondy leaves against the metal framework of the glass roof. Grids!! These were the grids I focussed on at the workshop…

…which quickly evolved into these…

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You can see the real frondiness of the cut out pages come to life here…

The magic of this sketchbook, even 5 years on, I still get new ideas rush at me as I flick through the pages.

Do you look back through old art journals and sketchbooks? Do they keep sparking new ideas even years later? Next time you’ve got a few minutes spare and they’re ready to hand, open one up somewhere in the middle and see if it stirs some long forgotten inspiration. Seeds of thoughts you planted way-back-when. They might yet grow into something beautiful!

 


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Courage, Faith, Trust. 33/52

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Scribbled things. Filled in with nonsense and part heard words

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Dabs, daubs, splosh. Dragged, drawn out, drawn on.

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And more, and further. Anemones? meteors? Some frenzied chaos. (I honestly don’t know.)

IMG_5583 IMG_5591IMG_5590

But as usual, I like the details best of all  

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The title for this week – Courage, Faith, Trust – came from the same-named scrap of paper that got itself collaged into the frenzy. (it appeared a week early, as it’s numbered 34) but it also calls up the essence of this practice. Courage, Faith and Trust in the process:

IMG_5548

Keep showing up, don’t plan, don’t expect, just keep doing and making and going. And all will be well.

learning in patterns

The process of learning has a lot to do with recognising patterns.

A pattern repeats enough and you can come to trust it.

Then suddenly it changes: Confusion ensues.

IMG_2699

I’ve been here before: I’m trotting along, understanding;
each new level of understanding fits comfortably on top of the last and it’s creating a tidy heap of organised information.

I know the routine. I’m cool with this.

Then we turn a corner and I’m lost.
Where did you go?

You were right there in front of me and now you aren’t and I can’t see you and I’m lost.

20150603_1672

I don’t get any of it, the words aren’t making sense, the concepts are too big and won’t fit.

Too many options.

Parameters are too wide and I’m looking about for some clues and can only see confusion and fog.

Where am I?

You’ve already clambered up to the next level, so you know it’s possible.You know what I don’t. You see what I can’t.

I just need you to tell me in the right words, explain in a shape I can focus on.

20150603_1685

Give me a hand up. I’ll be encouraged to know that   where you are is actually a place because you’re there already, but I don’t see how I get from where I am now in my understanding to the dizzying lofty heights you’re occupying.

Hold out your hand and reach out to me.

We both know when I get there I’ll look down and it won’t seem so far.

And from there I can help the next of them climb up too.

gathering momentum: destination unknown

But who cares? it’s the journey that’s the fun bit, who cares where we end up!

The dyed paper things are growing and multiplying.


(They kept me up really late last night …Love them, but they’re so moorish!) 😉

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