TWELVTY – Page 7 – Mixy's Art Blog

serendipity

Serendipity [noun] “an aptitude for making desirable discoveries by accident.”

I think this sums up so much of what I do. Yesterday’s post about recycling was a tangent I wandered down when thinking about how the collage pieces I make come into being.

Paper is readily recyclable these days (indeed it’s often recycled when it’s ‘new’) but I like to get every last ounce of use out of it. Once it’s been printed on (both sides) with info that’s no longer needed, it retires to a life in art.

Images and pictures, blocks of color or gradients, maps, poetry, lyrics, photos, scanned doodles and sketchbook pages, mish-mashed up in photoshop, I let fate take over and set the printer running. And if there are gaping spaces left, the page gets turned around and over-printed again. Serendipity occurs!

The ones that don’t happen into something immediately usable cover my work table to take on new nuances with splashed color, and as testing grounds for paints and inks and stampings. Or used to soak up excess color from dying fabrics and threads (I think this must be where the great paper-dying project originated… one idea bears fruit and blossoms into new ideas and schemes and badly mixed metaphors!)

adventures in color: ingredients

In response to the feed back on my paper dying project, thought I’d share some inspiration and some of my fave ingredients if you’re interested in doing something similar.

Firstly I must introduce you to an artist I find enormously inspirational, Ruth Issett.

Ruth has authored several books of mouth-wateringly delicious adventure in color and frequently runs courses and workshops.

Take a peak at her Glorious Papers: Techniques for Applying Colour to Paper – this is one of my fave books to set ideas flowing.

Dyes

For real vibrant colors, both for fabric and paper, I use Procion dyes. These are available at some art/craft stores, or the trusty shop that sells most everything.
The dye powder needs to mixed with water, and the colors blend beautifully. If you’re using them for paper there’s no need to use any fixative, just treat them like an ink.

Inks

I also love to use Brusho inks. Again these come in powder form to be mixed with water.
If you sprinkle the dry powder (a little goes a long way) on damp paper you can get some fabulous starburst effects and color separation from the individual hues of pigments . Try it and find out!

Then there’s the Ranger Adirondack Color Wash sprays.
These can be used on fabrics too if heat set with an iron.
Ready mixed, these come in spray bottles.

Dr P H Martin’s Bombay ink.

Having picked up a bottle of this at my local art shop, in a fit of extravagance I got myself both full sets of 12 colors and have to say it was a great investment.

They come in dropper bottles, perfect for dripping onto paper!

The colors are vibrant and strong, so again you don’t need to use loads, and a bottle lasts a long time.

Paints

Koh-I-Noor paints are fab for several reasons.

The colors are rich and intense dye-based paints which come as 4 stackable palettes. The middle bit of each palette, along with the lid, can be used for water or mixing shades, and they are perfect if you want to take your colors out and about with you.

NB Koh-I-Noor also make stackable palette sets like this with regular watercolor – this is the one in the illustration. The ones I use are the intense dark dye based ones. Check out the comparison of colors here. Read more about playing with these here

I hope you’ve found this interesting/useful and it may have sparked some ideas for you. Til next time, happy creating, folks! 😀

Bubblewrap, Buttons & Rice (Oh My!)

The anticipation of unpeeling and revealing the results of the paper dying exploration is magical!

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Of all the results, I think it’s the rice I’ve found most inspiring.

dyed paper!

Thanks to all who’ve joined me in these last few days of paper dying.

If you’d like to catch up on the story so far, it started here, went here, went off track awhile here, before showing up here.

It’s taken over my weekend, spilling into the weeks either side, and still there’s stuff soaking and hanging out to dry! But, that all comes later. First of all…..

First batches!

I should really photograph these in daylight, and with less wobble, but was too giddy with excitement I didn’t want to wait!

paper dying, part 3

As an aside, before I show you the latest happenings from the paper dying project: I never realised when I embarked on this it would become so all-consuming. I thought maybe a day of tearing, soaking, dripping, swishing, squishing and waiting would be followed up by a few hours of drying, unfolding, oooh-ing n ahhh-ing, then straight on to using and gluing and making.

Nope. Anyways, I’ll explain as I go along.

Having filtered out the papers deemed ‘not quite done’ I was left with a fairly substantial heap of partly-colored insipid stuff to re-dye. In a bid for something different I explored some new techniques.

Putting bits in a jar instead of a tray (done this with fabric, but not paper before)

Using pre-cut-out bits of paper

Using small things to add a bit of pattern. These wire coils were leftover from a previous project…

Ditto with rice (thinking – will absorb moisture as well as leaving rice-shape-patterns)

And again, with buttons

..Bubble wrap…

I haven’t looked at the latest results yet, check back later and find out if any of this worked out!!

off on a tangent & happy accidents

Using a blank page from my sketchbook to work on for the paper dying episodes has a threefold purpose:

It’s a nice clean white (to begin with, at least) backdrop to photograph and record work in progress. A3 size book, opened up is a good sized working area.
It protects my work surface (for now, an ironing board)
It’s captured some gorgeous incidental art. Every stage of art, is art, right?

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The little wire coils? Yeh, I’ll explain them later. Meanwhile I’ve got drying paper to go check on. BRB 😉

paper dying, part two

Last night I left the marinaded paper ready to sweat by the rad…

Today’s weather has supported my efforts by being quite cold, justifying use of central heating to warm room as well as dry my doings from yesterday.

Carefully unpeeling the layers to get some air flow, I then sorted then into heaps to finish drying and admire

Next stage is sort the ‘finished’ from the ‘not quite there yet‘, iron the former and carry on playing with the latter.

paper dying, part one.

With fabric and textiles, I’m rarely put off by material being the ‘wrong’ color, provided I can dye it. Lately I’ve expanded this reasoning to include paper too. Fortunately for the sake of this project I’d already squirreled away a stock of paper, and the only preparation to be done was some therapeutic tearing and scrumpling.

Some paper (tough brown envelopes, cartridge, wallpaper lining, and watercolor) will tolerate heavy handed roughing up. Tissue, copier, newsprint and (my least fave) sugar paper just don’t have the same endurance, but will survive a lower level of scrunch.

The purpose of this is break up the surface, the scar lines offer a more porous surface for the dye to bleed through, and sometimes give a nice batik-y result.And sometimes they don’t. But we don’t care, we’re just here for shits and giggles.

Let the messy stage commence!

Plastic tray, bit of paper, swish with water, drips of dye & ink.

From here it’s a matter of layering (thinking ‘lasagna’, but without the food elements. Srsly, that would be a whole different result, and not what I’m after here at all)

Thicker acrylic based inks work best thinned right down with water,acrylic acts as an adhesive and if/when used thickly will gum the papers together into an unpickapartable cludge.

Some layers through I like to give the soaking papers a bitova squish with a roller (brayer). The dye will penetrate the paper fibres better, and slop out of the edges of the tray if you’re not careful.

Sometimes I pour off a bit of excess wet into a jar and reuse it further up the ‘lasagna’.

See the batik-y thing going on? Yay!

Onward n upward, paper, water, dye, swish, squish, paper, color, swish, etc

Disclaimer: no books were harmed in this production. Apart from this one. (Second hand and out of date when I got it, 15 year old book on web site building. ) Just saying. Books are my friends, and I never deliberately dismember friends, even in the name of art. Except for the very dead ones.

Some hours later, tray filled, excess juice drained, the soggy lump of color gets tipped out onto something porous (I used a selection of my finest knackered tea towels) and left to dry by the radiator. (If time and climate allow, sunshine will do the trick too)