2016 Adventures…

What adventures do you have lined up for the upcoming year?

Are you a planner, or a wait’n’see-er? I’m a bit of both.

I like to have some looking-forward-to-things lined up, pre-booked, so that creeping apathy or the inner critic can’t persuade me to wriggle out. But if I start organising my time too much I get freaked, run away … sometimes have to sleep it off.

Since 2009 when I returned to education, I’ve taken on at least one big learning project each year. One in which I’ve had to show up to the commitment I made. Partly through a loyalty to the others involved, but mostly to myself. Accepting a challenge. Jumping in.

In 2015  joined up for IGNITE, an online course for women artists run by the gorgeously wonderful Connie Solera of Dirty Footprint Studio.

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I was so inspired by Connie’s series of artist interviews, the 21 Secrets Conversations. Right from the off I was fascinated by listening to all these artists describe the path that’s led them through their careers. But even more than this, I kept going back to watch more, I was totally entranced by the joy and love that fills every episode. I just knew I’d found my tribe. I felt at home.

Over the year in IGNITE we developed and grew together as a group.   We’re dotted about all over the world, so our meet ups were digital, but they were frequent and will be ongoing. It’s been the most amazing ride, through which I’ve got to meet and know some really inspiring new friends whose lives are in tune with the same creative energy.

…this video was part of a project I created back in the summer for IGNITE… 

Emerging from the course I’ve got a much clearer understanding of my creative process, far more so than 3 years in conventional art education. I’ve developed a stronger sense of being-ness. A sense of freedom and possibility has replaced the sense of limbo I began the year in. I really generated the momentum for the bounding leap into my next paint-fueled adventures.

 

IGNITE is an intensive course, it runs annually. In 2016 the course will begin again in early January. So are you wondering….?

Are you at a point in your creativity where you feel ready to stretch forward into a more exciting, dynamic phase?

Does it make you feel skippy inside to think of becoming part of a global tribe of soulful spirits ?

 

At the time of writing I believe there are a handful of places left – so if you’re interested scoot over there now and check it out before they get snapped up. Ooh, and on top of that – this year Connie is enlisting four IGNITE Alumni to act as mentors. And yes, one of them is me 🙂

Come and join us – it will be so much fun!

digital art – rewind

In a recent post I was telling you about my early beginnings in digital art.

But guess what – turns out there was earlier stuff that I’d totally forgotten about! Pre-dating that by a good couple of years ago or so, there was stuff like this.

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This is like rooting through the loft space of my past, ideas and experiments I packed away  in the back of my mind and old hard drives.

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I look back and remember vividly the delight of discovery in this myriad of new possibility. There was no limit in my mind as to  what could be spun out of this magic.

OF everything I made in these early days, this is the one I loved the most.

I called it Fireglass,  and I was entranced and enchanted by this little image.

fireglass copy

But that was the thing I suddenly came to realise – this was such a little image.

Such a very little image.

At the point I made it – which was by some mental abberation of a puppy in exuberant scampering mode, delirious in uncharted territory so of course I couldn’t accurately back track that one – and I had no grasp of pixel size.

No idea at all that the resolution at which this freakishly gorgeous little gem arrived on my screen meant it would print out at not much more than 1 inch square.

And even then not at especially sharp quality.

This little glowing rectangle of orangy red joy was what really kicked me into the next level: from play and unchanneled driftless clicking, now I wanted to take control over this alchemy. I went from careering about unchallenged by anything to navigating my way toward a more deliberate composition.

I was embarking on a massive adventure.

the other side of the ugly (18/52)

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Yesterday I was sharing about the ugly side of creativity. When it’s in that worse before it gets better zone.

The only way outa here is forward: Charge on forward through this zone.

If you can’t carry on right now, let it rest.Let it settle.

When you come back it’s going to look different:
—If it looks better – let this spur you on in hope.
—If it looks worse – take the nothing left to lose impetus to make changes:

Whatever you’re creating, from a painting to a song, a novel or a dance, a dress or a manifesto, try any variations of these things:

  • Paint over it.
  • Mix up the harmonies.
  • Cut it up and reconfigure the bits together in a new shape.
  • Record over sections of it.
  • Photograph it from obtuse angles: review it through the viewfinder, on screen, through squinting eyes, or print its negative.
  • Speed it up, slow it down, add trumpets.
  • Change two of the colours.
  • Stitch, glue, staple, splice. Rinse and repeat.
  • Play it backwards / turn it upside down / inside out.
  • Take out every other word, or every other adjective, or swap about all the words beginning with vowels.
  • Pick it up by the ears and shake it hard.

Do some radical dismantling, recreate with hope and a conscious understanding it’s only wrong at the moment; it’s maybe uncomfortable but it isn’t doomed.

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Know that you’re through the worst because if you’re moving you’re making progress: It was the ugliest thing in existence, so by logical deduction it must be getting better, right?

Right. Then keep on going. If the bigger picture is freaking you out,

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Just look at the detail…

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Find some solace there, some shhhhhsome calm

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Befriend the details. Examine them closely for inexplicable creatures.

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The only thing not to do is sit and dwell on how a different course of action somewhere in the past would have made it different. That then is gone. Focus on the now of it.

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Then see where you find yourself, recombobulate, know the process works, and carry on.

nen nen ju shin ki

Thought forms are the children of an earlier project, my final project in the first year of my art degree. Focussing on the idea of meditation: trying to still the crazed jabbering of monkey mind, find some spaces between the thoughts.

Thought following thought following thought – rattling by. That internal monologue of commentary, judgements, relentless parroting of worries… do you listen to the babble? Do you try to drown it out? Music, TV, incessant banter – some folk don’t keep it inside – they are a non-stop torrent of witterings.

It can be exhausting.

And fascinating.

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This piece took shape as a 3 metre x 45 cm relief collage constructed from reclaimed bits and bobs, mostly painted paper, card, pins, tiny scraps of wood, wire, staples. These kinda things. The things and stuff that came to my mind as I was making it. Positioned in a corner it draws the viewer in so they become a part of the work, surrounded by the noise.

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Complex trains of thought – interconnected and overlapping – are represented by the darkest and most detailed elements.

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The process of meditation calming the mind from the persistent banter of thoughts by suspending this mental chatter from one moment to the next is represented by diminishing detail and lighter tones reducing to nothing in the centre.

I’d love to recreate this on an even bigger scale some day.

Unstuckness

Do you guys know Jane Davies? I’ve just watched this video of hers. Really simple black and white mark making, so vibrant and lively and really ‘in the moment’. It made me think how great this would be as a kick-start when I can’t get going. A reminder: don’t try and make something just do.

I was reminded of the stuckness all us artistfolk get somewhile.

It’s a bitch: that art-void head space. Can’t think, can’t make, creatively constipated.

It’s tiresome, it’s draining, it’s vexacious, and until you’ve gotten through it a few times, it can scare the pants off you: “What if it’s all gone? Dried up? Never coming back?…”
When I finished school last June I got struck down by it big time, and it didn’t let up for AGES. Months.

I tried to to coax my mojo back into being by sorting out my art making space. I tidied and reshuffled and organised… I even had a fantastic commission to get on with, but I was stubbornly standing in my own way and refusing to budge.
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So I waited it out, I lined up ideas in my head and on paper and physically in little heaps about the place. (I think the 2 years of intensive study and practice running in parallel with some big life shifts in my personal world had just run the tank dry and I needed this long while to regroup.) So I used the time to seek out and absorb new influences. I played more with words than colors. I began to enjoy the world outside the confines of my head.

I haven’t entirely got back in the art-swing still yet. Doesn’t seem to be an ON / OFF, more a growing appetite. But everyday I’m feeding the spirit with the nourishing goodness on tap here in the online community and in the books I’ve acquired over the years; The simple beauties around and about in nature and people-made-stuff.

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Today I’m beginning a new year long project – a page a week art journal/sketchbook. I feel sore and rusty in the art-muscles, but it’s coming back. (I also bought a bunch of new colours to play with in the sales!)

Book of my days

I’m making a journal for the new year, which as the Solstice starts a new moon too, I began from it then. I’m enjoying the making process, and it’s another invented as it goes along adventure. And like all the rest of them, it’s a work in progress that isn’t exactly finished (the making stage) before beginning (the using stage). Kinda overlapped.

Over the years I’ve used regular diaries, journals, notebooks, sketchbooks, heaps of loose paper and the backs of envelopes to record the events, the thoughts and feelings, the minutiae, that collectively forms my days. On assessing the amount of rescued and recycled paper I’ve amassed, this time I decided to make my own book. I was surprised how easy it turned out to be. If you’ve ever considered doing this, here’s how I did mine…

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Obsolete letterheads, beheaded.


Here’s a thing about shop bought books – you wanna stick in new bits and pages, lists and the like, scrips and scraps and souvenirs and reminders. So either you gotta make space by extracting some of the pages it was bought with often leaving the binding loose and flimsy or severed and prone to accidental page-drop…. Or you live with a bulging wedge shaped book that won’t shut flat. Which is fine, in both cases, absolutely fine.

But if it’s a book of my own inventing… can I bypass that whole thing?

This fitted with the predicament of using recycled letterheads: once the letterheaded part was sliced off, the resulting folded in half size makes for fairly small pages. Not so compatible with big loopy writing that makes up words who need space to play in. So here comes the multipurpose wide page/thin page idea!

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I’m thinking the thin pages will be ideal for post it notes and small folded pages to be stuck in. And they are list shaped too and I love a good list! Consequently my book is starting it in the reverse wedge shape and will, in time, plump out into a flat book shape.


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The actual binding part (this is Coptic, but there are numerous ways to string a book here). My teacher is Sea Lemon. She is very neat and precise and I am not, so please don’t judge her instruction by my results! I looked at a few how to videos and found hers the simplest to follow. Then went ahead, broke all the rules, and did my own thing loosely based on this technique. People fall into two camps: those who embrace the slapdash yet sturdy approach and those who wince at the evidently hand cobbled outcome. If you fall into the latter camp, brace yourself, or click away now.


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measured, templated, holes completely off the line. idk. Accuracy just isn’t in my DNA. And wonky works too.


The paper is neatly cut to size approximately and the stringing holes were measured. Perhaps not really accurately. The knots are good and knotty.


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Not beautiful, but workable. I’ll settle for that. Neatfreaks: please Tut now.


I guess my reasons for sharing the guts of this cobbled affair with you is to say – If you’re at all interested in converting a pile of unwanted paper into a book you can use for whatever you fancy – scrap booking, journaling, some form of record keeping or and fancy schmancy writing and drawing doings – then even if you’re a careless, cack-handed hurrier like me – it can be done! Go and give it a whizz. If it doesn’t work…? well if the paper was already destined for the recycling box then you only postponed its destiny, used up a little but of time and in all likelihood learnt some useful life lessons along the way.

 

word clumsifulation

Hi folks, hope you’ve all had a great weekend. I had a surprise visit from 2 old friends last night which was wonderful, but meant I didn’t to bed last night til so late it was morning and my ability to do much at all today has been scuppered!

That said, I have finally sat down and written my Artist Statement. Wow, how many times have I put this off ?! It’s in its first draft stage, but if anyone has a mo to glance over it and offer thoughts that would be most kind of you. I think I have the main essence there but the more I read and over read it just scrambles into a clumsy goo of words. I haven’t even printed it off yet (cos those typos show up better on paper than on screen!) so there might be glaringly obvs mistakes I’m screen-blind to.

Now, I’m off to take this weary brain to bed, go rest up for a big bright new week ahead! G’night all 🙂 X

Currently studying for a BA in Fine Art as a mature student, I am a mixed media artist, with an emphasis on utilising reclaimed materials and found objects. I enjoy the process of reinvention which is echoed in my work by the underlying themes of impermanence, the cycle of life, and renewal.

Often beginning with a loose notion of color or form I work intuitively with a range of media, layering painted and hand printed materials in collage and with stitching. I work on several pieces in parallel, allowing space for ideas to incubate. In a process of construction and deconstruction, salvaged scraps and fragments relate to the emerging theme. Elements often migrate between projects; some pieces evolve over a period of years. As I introduce new techniques acquired through my studies, I am always innovating my practice.

I’m continually drawn to forms and structures found in nature, flowing rhythmic lines and recurring patterns. I also find inspiration in the fleeting visual ephemera, shadows, the play of light, and their transient interactions. I surround myself with color, fascinated by its powerfully expressive qualities. Driven by a fervent need to create and visually interpret thoughts; the process of my art is my meditation.

My style is influenced by a range of art and architecture. The Art Nouveau style, calligraphy and Islamic art all engage my interest in combining organic forms with repetition. The work of Naum Gabo, Louise Nevelson, Bridget Riley and the Cubist movement all appeal for their structural, dimensional aspects which challenge the viewer’s perception.

memento mori

My big project this term is entitled Memento Mori. Considering mortality.

The aspect of mortality I’ve chosen to illustrate is the fading out and tapering off that some lives go through toward the end; The detachment and fragmentation a person sometimes encounters in their final days, months or years.

I’ve created a series of prints and drawings, portraits of my mum, taken from a photograph of her on her 16th birthday. They are abstracted and distorted, a little surreal. Her final years were spent largely in a dream world, she’d tell me of her fantastic adventures and travels, peppered with memories and enriched by a life time of reading and absorbing information and ideas, as her mind escaped from the body which no longer worked.

The following short animation is made up of some of the images I created in the process.

guinea pig break

hi folks, I’m interupting the twelvty stream of conciousness with a little request…

…would you be guinea pig for me?

Here’s the thing, I’m presenting my project in class tomorrow, a series of portraits.
So, as the deadline creeps up I’ve suddenly taken it into my head to add a short animated doodad into the mix.

I’m fine tuning it just now but I’ll post it up this evening, your constructive criticism would be much appreciated! 😉

TIA! x

Update! It’s much-later o’clock… I realise I’ve been arsing about figuring how to show you this thing… It’s a Flash file (.swf) – which looks all fine n dandy over here but is no good to upload for you to see. Any top tips on converting it to a usable format ?

Update 2! Finally managed it !!! Presentation in class went well (as far as I could tell!) It’s here if you’d like to take a look!

continuing theme

ink and water splash

My project is coming together, I have 3 weeks til final presentation.

acrylic and chalk on board

This is snippet of this week’s doings…

block prints, acrylic on board

backgrounds for screen printing.

ink, chalk, acrylic on paper

More to come soon!

ink and water splash
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