thoughts de jour

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Traditional journalling – the outpouring of words and thoughts and the recording of happenings, events and reactions is quite linear: these things occurred, then were recorded; these things were planned and projected, then recorded.

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Art journalling is far more holistic. Even the most literal illustrations are cast in the light of the mood, defined by the view of the artist and constricted by the limitations of their style and skill.

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And then there’s this whole exploration of the psyche that forms from the deluge of abstraction that some of us create.

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Like many other artists who play this game, mine is largely an unplanned stream of consciousness.

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As life ebbs and flows there are periods dominated by torrential outbursts of imagery.

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I’m driven by a force beyond my thoughts to combine and construct these collections of objects, images and notions. They make no sense at the time and only sometimes later can I pick out an impression of context, a reflection of thought.

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Meanwhile, I enjoy the colours and the nonsense. Another metaphor for life.

imaginary animals

Some of the characters I collected in my camera at the V&A last week, having filtered through my imagination, turned up in my art journal.

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As they evolved along the way,

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some got a little lost under the layers.

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faces merge animals and human,

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some characters from other projects join them.

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As the weekend wore on,

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the colours developed

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The doodles built up

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The tribe became established on the page

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I can’t think of any meditation I enjoy more than getting lost in patterns and colours.

 

 

365 self love update

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The pace of this project is slow but steady, marching through time at 1 inch per day. And already since the start of the year it’s a past the first page.

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And the book is teaching me lessons already: Page one’s squares were measured and neatly spaced. Page two’s are are more in keeping with my style: eye-balled, uneven, bit wonky in places.

IMG_6977After the first few weeks I’ve wandered off from just doodle/painting to include collaged bits – fragments of that day’s doings. It intrigues me how different the mood of each day looks. It intrigues me to see how the coming weeks and months will look, and the lessons they will bring.

almost completely (50/52)

Every week this year I’ve worked on one page of this art journal.

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There’s a poignancy to the last pages of a book, a wanting to eke out the fun….

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mixed with a readiness to move on to new projects.
Oh so many new projects lined up!

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This is an almost complete page of the almost complete book….

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We’re so close to the end now I’m going to save the completed page until I can show you the whole book at once 🙂

ingredients of a week (49/52)

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In no particular order, this week’s page is built out of these things…

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Derwent XL Graphite (same folks who make the Inktense stuff). Big chunky blocks that are also water soluble. Great for grubby grimy grunge. Vague shapes and noises to form the ambiance.

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Brené Brown vividly describes something I’ve been focused on this year, these words showed up this week…

“Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”

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Scroobius PipThe  Beat That My Heart Skipped (and much more). Such a fine Wordsmith, a rhyming genius…

“Especially in this instance
Never ending persistence
To use the words in each sentence
As if they were blunt instruments
To beat a hole in their defence
Of this beauty and her innocence
Which serves to build resistance
In spite of all my good intents.”

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Copic Pens (I don’t have them with me, I forget exactly which ones) – lovely delicate translucent colors. Layers of hazy background.

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Sakura Gelly Roll Pens Oh my! I could just write for miles and miles in these pens. Buttery soft. Love. And some colours really zing too.

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Regular old graphite pencils. Everything about writing and drawing in pencil whisks me back to childhood. Mixed memories. Shiny greys on the page, shiny grey smudges on pages, on hands, on faces… Timeless.

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Carne Griffiths I fell across CG’s work again on DeviantArt this week. I remembered it from researching drawing styles online for an artschool project a couple of years or so back. Some aspects of his style has leaked back into my subconscious this week. (I’m glad)

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Perspective. Is upsidedown intrinsically wrong and in need of re-orienting? Writing is more than words of information, it’s shapes and connections and flow. The angle of the eyeline defines the view not the object. That’s what everything in the news boils down to (from where I’m looking)

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Pilot Gel Ink Pen Super rich black ink, words spill out with ease.

Thanks for dropping by…………X

 

 

 

 

a nest of nests (44/52)

As this week progressed I was listening to the audio book version of Tim Ferriss’ 4 hour work week. IMG_6125

His finely tuned systematized out-sourcing structure is a few bounds further than I will stretch, but I’m finding  workable elements to feel more productive before they even manifest out of the theoretical.

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One rule is ‘Don’t multi-task’

This is a truth I already get.

It’s just a way to do more than one thing simultaneously, less efficiently, with added confusion, and slower. And don’t get me started on all the associated women vs men BS.)

I totally get the point of not multi-tasking

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So being reminded made me smile…

…as I witnessed my self simultaneously fail at several tasks, as my inner rebel will neither listen to her own advice, nor that of the instruction she’s currently agreeing with.

I mean – the whole audio book thing –  is surely a vehicle to enable the doing of too many things at once.

Sure I can read an actual book, I’d enjoy that. Oooh, but what if I could distractedly miss chunks of the content while concurrently doing just a few other things….

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Y’know, so long as you can appreciate the irony, and it makes you smile.

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On the theme of streamlining efficiency, being less time-wasteful. Bullet-journaling has bobbed up on my horizon a few times.

I’m a long time journaler, diary writer, and exhaustive lister. It’s the best kinda brain-dump, and as a bonus  I love to read over the thoughts of a previous me, comparing a today from another year, another era.

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I’m drawn toward bullet-journaling cos I find so many notes and lists are repeated in fragmented form over years. I can round them all up in one book, once and for all. Resisting beginning with a list of lists, this looks like it could be a solution.

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From the start of December I’m going to utilize a variation on this system. At the time of writing, I have over a week before it begins for proper, but I’ve already acquired a new notebook, noted some notes, listed some lists.

I’ll let you know how it pans out.

It’s all a mirror…. 41/52

The year winds on, the weeks flip by, the book of weeks fills up.

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I’m finding out stuff I didn’t even know was there.

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You remember back to January? I set my word for the year, after much deliberation, to Focus.

It took some fathoming, and even then I wasn’t positive I’d picked the right word… or the right word had picked me.

But as I let it settle we found our connection with each other. And time and again I’ve been surprised at what has become my focus of attention.

As the year bumps along my focus shifts. 

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More than a few times I’ve felt myself careering down a route I didn’t plan.

(with practice this gets easier: stop trying to steer at high speed – see where you land up – it’s all part of the wild ride of life)

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Racing headlong toward something I’ve avoided in the past.
For fear. For fear of…? Fear of what’s behind it all?

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This sentence appeared in my world – loud and timely enough for it to become what  this page is based around. Loud, Bold Lettering – which some weeks gets covered up – not this week.  The organising committee in my mind had other plans, and only allowed the doodles to skirt the edges. To enhance not to obliterate. Ok….I thought….Ok. You trying to tell me something here?

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Back in the real world, this particular week the final project was almost due part of an online course I’ve been taking. I was in a state of suspended procrastinatory blur: the deadline was 5 days off when I emailed the course leader to confess I was beaten, I couldn’t pull it together in time. I had to quit.

This left me with just two problems.

Problem #1 – quitting wasn’t followed by the enormous wave of relief I’d expected. Instead a slightly sorrowful shame that nearly a year’s worth of work hadn’t reached it’s completion, it had just damply fizzled out.

Problem #2 – no amount of saying ‘I just don’t know what to do’ would quieten these big bold words I was mindlessly doodling around in this weeks page. I did know what to do, I also knew I didn’t want to do it. But I did:  It needed doing. It was going to be difficult, emotional, raw. I was a bit scared.

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Ok. I’ll do it. This idea had been drifting around in the margins for some months now. Trying to creep into focus I nudged it away. Repeatedly. But ideas can be stubborn and this one finally flew out before I could stop it, unraveling in front of me.

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I had 3 days to go and I faced my demons, I did what I know needed doing: I sat and wrote my story.

My story is my art and my art is my story. As is this book, I’m the sum of my days. Until I face up and focus for real I won’t ever see who I am behind the mirrors.

As time settles the rawness in my mind, I’ll bring bits of it over here to show you. X

with tiny sketchy folk (40/52)

There’s likely something telling about the inclusion of these tiny sketchy folks in this week

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(this character looks like he’s sustained a cartoon style head injury – a dropped anvil or grand piano I expect)

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as usual I can’t offer any explanation, this is just what falls out of my unconscious mind via my pen holding hand.

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In her TED talk, Elizabeth Gilbert recalls how the poet Ruth Stone described her creative process:

“…she told me that when she was growing up in rural Virginia,she would be out working in the fields, and she said she would feel and hear a poem coming at her from over the landscape. And she said it was like a thunderous train of air. And it would come barreling down at her over the landscape. And she felt it coming, because it would shake the earth under her feet. She knew that she had only one thing to do at that point, and that was to, in her words, “run like hell.” And she would run like hell to the house and she would be getting chased by this poem, and the whole deal was that she had to get to a piece of paper and a pencil fast enough so that when it thundered through her, she could collect it and grab it on the page. And other times she wouldn’t be fast enough, so she’d be running and running, and she wouldn’t get to the house and the poem would barrel through her and she would miss it and she said it would continue on across the landscape, looking, as she put it “for another poet.””

She talks at length about how ideas are entities that search out a person through which to be made manifest in her book Big Magic

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I love this for so many reasons…

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These are concepts that fit my ideologies

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Removing the responsibility of being the creator: we are just the catcher.
It’s more fun.

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Way more fun

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It was this thinking that encouraged these tiny sketch folks out through my pens this week.
To be witnessed by this week’s ubiquitous big eye

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