Creative process – Page 7 – Mixy's Art Blog

the other side of the ugly (18/52)

Yesterday I was sharing about the ugly side of creativity. When it’s in that worse before it gets better zone.

The only way outa here is forward: Charge on forward through this zone.

If you can’t carry on right now, let it rest.Let it settle.

When you come back it’s going to look different:
—If it looks better – let this spur you on in hope.
—If it looks worse – take the nothing left to lose impetus to make changes:

Whatever you’re creating, from a painting to a song, a novel or a dance, a dress or a manifesto, try any variations of these things:

Paint over it.
Mix up the harmonies.
Cut it up and reconfigure the bits together in a new shape.
Record over sections of it.
Photograph it from obtuse angles: review it through the viewfinder, on screen, through squinting eyes, or print its negative.
Speed it up, slow it down, add trumpets.
Change two of the colours.
Stitch, glue, staple, splice. Rinse and repeat.
Play it backwards / turn it upside down / inside out.
Take out every other word, or every other adjective, or swap about all the words beginning with vowels.
Pick it up by the ears and shake it hard.

Do some radical dismantling, recreate with hope and a conscious understanding it’s only wrong at the moment; it’s maybe uncomfortable but it isn’t doomed.

Know that you’re through the worst because if you’re moving you’re making progress: It was the ugliest thing in existence, so by logical deduction it must be getting better, right?

Right. Then keep on going. If the bigger picture is freaking you out,

Just look at the detail…

Find some solace there, some shhhhh…some calm

Befriend the details. Examine them closely for inexplicable creatures.

The only thing not to do is sit and dwell on how a different course of action somewhere in the past would have made it different. That then is gone. Focus on the now of it.

Then see where you find yourself, recombobulate, know the process works, and carry on.

midweek mayhem (18/52)

Y’know when you hear about a new thing, then you hear about it again within a really short time, and you think:
Hey, Universe, are you trying to tell me something here?

Well, this week I’ve read in more than 2 places the suggestion of freeing up your creative mojo by drawing freestyle, playing about at mark making, with your non dominant hand. It kicks the brain into action in a way doing the usual things in the usual way just can’t.

So with some degree of awkwardness I set about some cack-handed doodles. Scribbles. Scraping of pencil across page.

Not pretty, not descriptive, but after a bit of warming up the eye-brain-hand coordination came together a little better and it did at least begin to look and feel a bit more deliberate. And it’s only a first layer. With some more colour it’s already becoming much more backgroundier.

There it goes, merging behind, blending away.

Some collaged layers begin to add structure and I’m back to my usual right-fisted chaos. But…….

The other reason I’m posting these stages is to make the point that pages can go through really ugly phases; totally scrappy and uncohesive. I mean really, really URGH. Really WTF is going on, ‘I honestly thought I could make pretty, creative, loveliness…. then I go n do this thing and it’s just so… just so… I can’t even look at it….’ <sob>

The key to getting through this is to keep on going! Don’t stop here!! It’s just a phase. It’s easy to get despondent looking at such an incoherent ugliness. It’s a shambles. But it’s only a shambles at the moment.

It’s a very rare art that can’t be pulled back from the edge of ugly in some fashion or other.

I’ll be back tomorrow with how this got saved, there is ART after URGH.

Water In Parallel (part 4)

The story so far, has lead us to this point

Now, if you know me at all, you’ll understand that I need colour like I need coffee, sleep and oxygen.

So while the peeling back process had restored some of the original brightness, it’s not enough for me. I’m getting hungry for colour and there’s only one remedy there: throw some ink at it:

Swished with water as well (yeh – Water theme – Water literally. It’s the method acting school of artistry)

Plus some black for more contrast, and some lime green and chartreuse for good measure (and for the fact they’re colours I adore)

If I were to try and define my process as a shape, it would be zig-zag: No sooner had I reinstated the brightness, I felt a call to white a load of it out. I know – don’t ask – I’ve stopped trying to second guess where I’m going, I’m just hanging on for the ride now. So I feel like wavy shapes will bring in more Water-y feeling (that I just can’t see now it’s ink drenched). I neeed more wateryness!

This is a 50-50 mix of white acrylic and matt medium for a semi-transparency. painted on and dabbed about with a cloth for a dabbled bubbly sea wave froth look.

Yeh? maybe not so, but I still like the effect. On a roll with the wave shapes, along came some more collaging from scraps that got in the path of the flying ink a few days earlier. (No paper ever goes to waste here!)