Y is for Yes!

 

And Y is for Yellow is a course being run by Carla Sonheim – she of the adorable imaginary creatures – which must have lodged in my subconscious when the idea of made up animals came to me last summer (more on them later)

I read about Y is for Yellow a while ago and wrote myself a note to decide about it nearer the time. It’s about creating a body of work for mixed media artists. Well – that’s what I am and what I need to do.

Then suddenly we’re almost a week into January and it turns out the course begins in just 2 days. I thought I’d missed the beginning: this is an omen.

Y is for Yessy Yes Yes this Year for me. I signed up straight away!

Another new community of artists – another year of new art challenges – I just know I’m going to love this!

 

 

Reflecting forward

I want to take all I’ve found and uncovered in 2015 and shine it forward into the new year. 

Shine by Nicole Edgecombe
Shine by Nicole Edgecombe

It’s been a year full of contrast, acheivements and acceptances.  And so many new beautiful souls I’ve met and befriended. Wishes of love and magic to you all, X 

Heart Wide Open 3 of 3

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The final chapter of the book

“I believe in the good things coming…
More pages more words to my story,
More grace, more meaning unfoldin’…
Everything’s already 
alright,
Everything’s already alright…”

~ Nahko Bear

Find all the book here……………..

~ Part 1
~ Part 2
~ Part 3

The Year of the Heart Wide Open

Earlier this year I embarked on an art project that crept up on me and took me unaware. I didn’t see its approach – no rustling in the background – no warning at all.

 

Earlier this year I embarked on an art project that crept up on me and took me unaware. I didn’t see its approach – no rustling in the background – no warning at all.

One moment it wasn’t there at all in my world, then BOOM it was there: front and centre in my field of attention, large as life, impatient to be made. Suddenly the biggest most important messy painty colorful thing in my life was this book

The Complete Short Stories of W Somerset Maugham (volume 3).

bookI’m not sure where it came from, but somewhere down the line I rescued this shabby orphaned volume from an uncertain fate.

It’s destiny now was to become an ingredient for ART.

Along with the stacks of magazines I set to work on filling the book with colour and collage.

Over the course of a few months this book became my retreat from the doubts and the obstacles in the outside world. When ideas weren’t showing up for me, I dove into the book and let my unconscious put together shapes and words. When in doubt, play.

I’ve shown you some of the developmental stages already, but now the book has got to a point I’m calling pretty much finished I thought you might like to see it altogether in a flip through.

The song, from whence I adopted this title, is by Winterbloom* and is in the movie Indie Kindred. *since I put together the video a couple of months ago the Winterbloom website seems to have fallen off the interwebz. Such is the constant moving and changing of the world. 

When I watched the film this song got caught up in the wheels of my mind. It’s all about creative collaborations and the mutual support of the tribe, which mirrored a lot of what’s been going on for me lately. And this year I have felt my life open up to a new phase. This book is one of its illustrations.

With more than 40 pages the flip is separated into 3 episodes. I’ll share them over the next few days by way of something bright and fun as my holiday gift to you, dear digital friends. With much love X

~ Part 1
~ Part 2
~ Part 3

 

 

 

almost completely (50/52)

Every week this year I’ve worked on one page of this art journal.

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There’s a poignancy to the last pages of a book, a wanting to eke out the fun….

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mixed with a readiness to move on to new projects.
Oh so many new projects lined up!

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This is an almost complete page of the almost complete book….

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We’re so close to the end now I’m going to save the completed page until I can show you the whole book at once 🙂

ingredients of a week (49/52)

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In no particular order, this week’s page is built out of these things…

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Derwent XL Graphite (same folks who make the Inktense stuff). Big chunky blocks that are also water soluble. Great for grubby grimy grunge. Vague shapes and noises to form the ambiance.

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Brené Brown vividly describes something I’ve been focused on this year, these words showed up this week…

“Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”

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Scroobius PipThe  Beat That My Heart Skipped (and much more). Such a fine Wordsmith, a rhyming genius…

“Especially in this instance
Never ending persistence
To use the words in each sentence
As if they were blunt instruments
To beat a hole in their defence
Of this beauty and her innocence
Which serves to build resistance
In spite of all my good intents.”

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Copic Pens (I don’t have them with me, I forget exactly which ones) – lovely delicate translucent colors. Layers of hazy background.

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Sakura Gelly Roll Pens Oh my! I could just write for miles and miles in these pens. Buttery soft. Love. And some colours really zing too.

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Regular old graphite pencils. Everything about writing and drawing in pencil whisks me back to childhood. Mixed memories. Shiny greys on the page, shiny grey smudges on pages, on hands, on faces… Timeless.

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Carne Griffiths I fell across CG’s work again on DeviantArt this week. I remembered it from researching drawing styles online for an artschool project a couple of years or so back. Some aspects of his style has leaked back into my subconscious this week. (I’m glad)

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Perspective. Is upsidedown intrinsically wrong and in need of re-orienting? Writing is more than words of information, it’s shapes and connections and flow. The angle of the eyeline defines the view not the object. That’s what everything in the news boils down to (from where I’m looking)

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Pilot Gel Ink Pen Super rich black ink, words spill out with ease.

Thanks for dropping by…………X

 

 

 

 

a calling to the tribe

Edit 17 December: There are just TWO SPACES left to fill. If you’re hovering on the brink of signing up, this may be your last chance….

…You can whisk yourself over to HERE to soak up some more of the details to help you decide.

…………………………………………

A couple of posts ago I was telling you about IGNITE, the course I took with Dirtyfootprints Studio. I’m still resonating from the abundance I found there. 

If it’s something you’re interested in exploring, Connie Solera, our beautiful guide and genius behind it all is offering a free information call on Monday December 14 @ 12pm PST / 3pm EST / 8pm GMT  

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If you can’t make the date there will be a recording available to all who register. 

 

take 5: episode 1

Y’know how I’ve been revisiting my digital art? I’ve also been rooting through my online galleries. Some of those pieces date back almost a decade, and some still hold up well. But some were looking a bit tired, a bit shabby, or just plain meh. So I archived them away.

I’ve still got most of the images from which they were made, so over the next as-long-as-it-takes I plan to re-photoshop some of them into new works: Hybrids of old and new ideas. I love digital for many reasons – the ability to do this is a big one.

So you can guess the plan from the title, right?

I plan to Take Five images, and frankenstein re-imagine them together into a shiny new beautiful something. 

These are the first Five contenders for the project.

At the time of posting I’ve reached a crossroads in the making of the hybrid. I’ll explain later…

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