This year’s #100dayproject is all about the doodle for me. It’s my meditation, my therapy, my escape from the noise of my thoughts.
โ The point of the dance, is the dance.โ
โ Alan Watts.
This year’s #100dayproject is all about the doodle for me.
It’s my meditation, my therapy, my escape from the noise of my thoughts. For 100 days this year I’m sharing these little mark making experiments with time lapse videos and a bit of wordage about my process.
This year’s #100dayproject is all about the doodle for me. It’s my meditation, my therapy, my escape from the noise of my thoughts.
โ Donโt ask yourself what the world needs. Ask yourself what makes you come alive and then go and do that because what the world needs is people who have come alive.โ
โ Howard Thurman.
This year’s #100dayproject is all about the doodle for me.
It’s my meditation, my therapy, my escape from the noise of my thoughts. For 100 days this year I’m sharing these little mark making experiments with time lapse videos and a bit of wordage about my process.
This year’s #100dayproject is all about the doodle for me. It’s my meditation, my therapy, my escape from the noise of my thoughts.
โIf I could say it in words there would be no reason to paint.โ
โ Edward Hopper.
This year’s #100dayproject is all about the doodle for me.
It’s my meditation, my therapy, my escape from the noise of my thoughts. For 100 days this year I’m sharing these little mark making experiments with time lapse videos and a bit of wordage about my process.
This year’s #100dayproject is all about the doodle for me. It’s my meditation, my therapy, my escape from the noise of my thoughts.
โ Trust that life will always, always, take you where you‘re supposed to be.โ
โ Rachel Brathen.
This year’s #100dayproject is all about the doodle for me.
It’s my meditation, my therapy, my escape from the noise of my thoughts. For 100 days this year I’m sharing these little mark making experiments with time lapse videos and a bit of wordage about my process.
” The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown.”
โ Rene Magritte .
This year’s #100dayproject is all about the doodle for me.
It’s my meditation, my therapy, my escape from the noise of my thoughts. For 100 days this year I’m sharing these little mark making experiments with time lapse videos and a bit of wordage about my process.
This year’s contribution to the Brooklyn Art Library’s Sketchbook Project got filled with a great outpouring of ideas in the final couple of weeks before the deadline. If you already saw the first flip through – this is a longer version – with close ups and all!
This year’s contribution to the Brooklyn Art Library’s Sketchbook Project got filled with a great outpouring of ideas in the final couple of weeks before the deadline.
The book itself had been sitting on my desk, quietly waiting for months. Since the start of this year I got waylaid from almost everything else in the studio by the epic paper dying experiments.
I knew, as the weeks ticked by, that I’d be spending those last days in a flurry of paint and collage bits, stitching in new pages and sequins, hidden notes, and whatever else was flooding out of my thoughts onto the pages.
My first idea was to extend my ink dying experiments directly into these pages, but the paper of the sketchbook doesn’t absorb the ink the same way and it just wasn’t working how I wanted it to.
So instead I adapted the ink splotches, like finding patterns in the clouds, I found faces and magical made up animals in the splashes.
On the Library Shelf…
For all you folks local to New York (or passing through) – this book can now be found on the shelves of the Brooklyn Art Library, with a call number of: 360.55-6
Digitised Version…
In a few weeks time my book will be scanned and digitised to see online (like last years, which you can see here).
But you really need to see in her motion to get a sense of her cut out pages, her frills and flounces…
Because sometimes ink blob people and creatures aren’t enough…
Sometimes you need to stitch in extra pages, fold out bits, with secret notes, meaningless messages and nonsense.
So the next best thing to a trip to Brooklyn to meet this creation, is this little filmed flip through I made you.
(If you already saw the first flip through – this is a longer version – with close ups and all!)
While I’m still buzzing on the high of making this book, I’m channeling this energy into daily pages for the #100dayprojectwhich you can follow over on Instagram.
You can be first to find out what I’m busy making and doing with monthly-ish updates direct to your emailbox. Like magic. Just tell me who you are:
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“There will come a time when you believe everything is finished. That will be the beginning.”
โ Louis L’Amour.
This year’s #100dayproject is all about the doodle for me.
It’s my meditation, my therapy, my escape from the noise of my thoughts. For 100 days this year I’m sharing these little mark making experiments with time lapse videos and a bit of wordage about my process.
It’s that time of year again , Instagram is full to bursting of 100 day projects. I love the variety of ideas that populate this challenge. This is my third year of participating. ๏ปฟ
โComing back to where you started is not the same as never leaving.โ ~ Sir Terry Pratchett
It’s that time of year again, Instagram is full to bursting of 100 day projects. I love the variety of ideas that populate this challenge.
Previously…
In 2017 I missed the start date by a long way. I didn’t know this was an annual event, or anything much at all except it was a hashtag that intrigued me. I took the next 6 months to complete 100 daily pages of art journal.
In 2018 I was all amped up to go from day one. I decided on a hugely ambitious project. I even wrote myself a manifesto. For real!By day sixty-something I was utterly spangled and my group of 100-day-canvasses* are still ‘resting’ in a not quite complete stage.
*that’s 5 canvasses for the 100 days. Not 100 canvasses. I’m over ambitious, for sure, but not that much…
I’ll circle back round to them some day. When they’re ready.
Opting Out…
This year I had no plans to join the project.
I love watching everyone else’s projects in all their iterations play out and develop. I’m fascinated by the broad reach of the themes; the devotion and the grace; the patience and the determination. [Is this you? Leave a comment below with your IG handle so I can follow you too ๐ ]
My 2019 is a time of stepping away and of setting aside, I’ve been deliberately disengaging from social media, opting out and resisting. I’m doing my darnedest to play more offline than online to help de-frazzle my achy brain.
This year I planned watch and absorb instead.
Oh. Surprise!
So no-one was more surprised than I was to find myself getting all zinged up on April 2nd – day one of the project – when I determined the thing I wanted to do more than anything else was to join in again!
I made a commitment to myself already to make some sort of art every day in this little Moleskine book. It’s been with me over a year and I especially while I’m still a bit high on the fun of the sketchbook project book I just completed (more on that soon) this feels like a gift of accountability- momentum I just can’t ignore.
Will I last out for 100 days? I’ll post updates here as and when [ or you can check the daily doodles I add on Instagram ] for now I’m enjoying it, and that’s all that matters to me ๐
Meanwhile, If you want to be first to know about my colorful antics on and offline, join up for monthly news direct by email.
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The methods for ink dying paper are as simple or complex as you want to make them. Here are my 5 top tips to paper dying.
Ink Dyed Paper: 5 Top Tips
The methods for ink dying paper are as simple or complex as you want to make them.
When I started out I used a shallow plastic tray and layered pieces of of paper. Each layer had splashes and squirts of ink between. Then I left them to absorb the liquid. I experimented with scraps of paper, envelopes, book pages…
early ink dying: recycled envelopes, printer paper, tissue paper, book pages.
Essentially that hasn’t changed much, only now I’m devouring entire books and working on a glass topped table so I can heap the inky pages directly on there. I just scaled the process up!
Trial & Error.
I cannot overstate how much it’s trial and error process. It’s the only way I work: unscientific, intuitive, learning as I make it up as I go along.
For every gloriously bespeckled rainbow I make there are blurry messes, torn pieces (wet paper is so fragile) and muddy overworked colors. But that’s how we learn, right?
Five Top Tips to Paper Dying.
These are the five main things I’m learning through my paper dying experiments:
Ink can be brushed on, dripped on, poured on, splashed, sprayed, squirted or flicked onto paper (wet or dry) with any manner of implements. It’s all A LOT of fun.There are NO wrong ways.
Different types of paper will take up ink differently. Right now I’m using almost exclusively old book pages and sheet music (ranging from circa 1920’s to 1970’s), the paper from each book has it’s own distinctive foibles.
The type and dilution of the ink both make a difference. It’s not just the intensity of the color, but how much it soaks in. Quicker or slower drying time effects the tide marks it leaves, the surface finish too (less water can dry with ink with dusty pigment traces, or a sheeny finish, or a distinctive layer of shape as well as color). All of these permutations have a beauty of their own.
Sometimes the pages stick to each other as they dry, especially at the edges. Gently brushing the stuck bits with water then leaving them a while usually resolves this. I found some inks are stickier than others – they work just fine but need diluting more – which leads me to…
More layers with more diluted ink work best of all. It’s the soaking of the water that creates the best patterns as it carries the pigment through the paper fibres. It’s the layers that make for the most intricate effects. Already dyed paper, left to dry then splashed, dripped and dunked in water or ink, can come to life in all manner of ways. Sometimes pigments reactivate or react. Things like this can happen…
splashes on splashes
Happy Accidents.
I’ve been leaving batches of papers to soak together, letting more magic happen as color seeps through the pages to the layers below. By arranging them haphazardly so one piece part covers the next it encourages the seepage patterns to happen more.
‘Unplanned‘ is the overarching theme.
After some hours of marinading, sometimes I’ll turn the whole pile upside down after a while so the moisture seeps back (carrying the color) back the other way. Peeling apart the layers and adding more pigment, or just turning them so the pieces in the middle get some air to dry.
Wet paper wrinkles and the lines that form become channels for the color to settle. Stripes and fabulous organic patterns like an animal print appear.
organic patterns in ink and water
Lately I’ve taken to layering in stencils and texture plates between the papers to pick up extra patterning. plastic and bubble wrap works well, as does fabric, yarns and fibres (which of course soak up some of the color, transferring their own distinctive prints)
paper dyed with stencil layers
Next time: what becomes of these papers?
Or you can get the answer to this question ahead of the others – join the cool kids in my email list — hop aboard right here!
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Early in my blogging days I was documenting my experiments in ink dyed paper. Earlier this year I began playing about with these old book pages and something in my creativity woke up. I began what’s turned out to be an epic adventure into paper dying.๏ปฟ
Happy Blog-iversary to me!
I began this blog to keep a (slightly) ordered record of my creative doings and makings. I figured the self-accountability of posting about my various colorful doings would prompt me into more regular habits. At the very least, it would create an ordered timeline of events I could take a backwards look at and track this meandering journey.
In fact that’s become a bigger part than I had reckoned on.
That was SEVEN years ago.
Much of my early blogging was to document my experiments in dying paper.
The idea arrived in my mind as I was pouring another bucket of colored water away, post-fabric-dying process.
Fabric dye remains ‘active’ for a relatively short time. Leaving cloth to soak for a long time will allow it to absorb deeper into the fibres, giving richer more intense colors, but the major part of the dying magic occurs in the first half hour or so. That pretty colored water will do nothing else. I got wondering – this is no good for fabric – but what about paper…?
In the passage of these 7 years I forget how I evolved to using inks instead of recycled dye water… something to do with the salt in the dye water being corrosive to the paper, and (more likely) the very dilute colors not suiting my bright vivid world. But I come back to these experiments again and again.
Way back, my first experiments were with an old dictionary. She’d already lost her cover and was very loose at the bindings. She was ready to become art paper.
Earlier this year I began playing about with these old book pages and something in my creativity woke up. I began what’s turned out to be an epic adventure into paper dying.
Revisiting ink dying with the remaining pages of that dictionary from years ago.
Life spirals around in familiar patterns – have you noticed this too?
The paper I’ve been using recently has also been from retired dictionaries. I remember these books from when I was a kid, they were falling-apart-old even then.
I’ve also got this 2 volume set of ‘The Compact Edition of the Oxford English Dictionary’. Huge books with multiple pages of regular sized print reduced into one. Barely visible words, the books actually come with a magnifying glass.
They’re so weighty [2 volumes of 4000+ pages!] They really feel like they’re holding the mass of an entire language.
I remember finding these books fascinating as a kid, but they were barely ever used, they’re just absurdly impractical. Instead they served as a doorstop for a while, and eventually found their way into a box of stored things in a damp garage. An unhappy demise for any book. Many years later, re-emerging, covers tatty and box almost destroyed, but pages miraculously almost intact.
This year these two gigantic tomes transcended into their latest incarnation: ART.
Afforded the freedom that this quantity of paper – literally thousands of pages from these dismantled books – I’ve really explored the ways the different types of paper take up different types of ink.
Mixy's Art Blog 