My Imaginary Friends & Curious Creatures Zine is on sale now in my Etsy store. If you reserved a copy ahead of time, there is one set aside ready for you to order.
If you reserved a copy ahead of time, there is one set aside ready for you to order.
It’s a limited edition. There are only FIFTY copies in the whole world, once these are gone there won’t be any more. The first 10 copies are already on their way to their new homes – so don’t miss out! ๐
If you haven’t already seen it, here’s what the zine looks like………..
Get 10% off this + all the other goodies in my Etsy store when you sign up to my Studio Musings Newsletter
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You’ll get a confirmation email when you sign up (check you junk mail folder – cos sometimes the good stuff gets swept away by mistake). I’ll pop into your inbox about once a month with news on what I’m up to in my colourful little corner of the universe and what’s been inspiring me.
This is a limited edition run of just 50 copies, all will be numbered and signed. I’m giving away the first FIVE copies in a prize draw – open to all the lovely folks who receive my newsletter.
If you follow my social media doings you might have seen a post or two about this already…
My first Zine: front cover.
Out of nowhere, I was struck by the desire to publish a zine: An illustrated world inhabited by the bizarre and curious folk who have been popping up amid my art journal doodles.
I spent the following weeks with these ideas marinading in my imagination, finally arriving at this:
Imaginary Friends & Curious Creatures (Vol 1) ON SALE from 1 December 2019
Zine Details!
This is a limited edition run of just 50 copies, all numbered and signed, and I anticipate this is the first in a series (cos I’ve got a head FULL of ideas for this!)
It’s A6 size (a wee smidge under 4×6 inches).
Eight pages of digitally collaged dreamscapes, printed on 170 gsm recycled paper.ย
Be first to know about my doings and makings, the thoughts behind what I do & what’s inspiring me with my monthly Studio Musings Newsletter. Join up here ๐
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I send out letters about once a month with first look-see of what I’ve been playing with in my studio, the thoughts behind what I make, and all the good stuff that’s been inspiring me + you’ll get exclusive discounts as a subscriber.
I promise to guard your email address with great care. I will never exchange it for magic beans
Inks dripped in water, bubble wrap, Posca paint pens, Sakura gellyroll pens. Good times. This is the next in the series from my 100 day project time lapse comps.
25% off everything in my pre-holiday sale – shop closed for one month from 16 Sept
Before I go on holiday at the end of this month I’ll be closing up my Etsy store. It will be closed from 16 September for one month.
So if you’re planning gifts for the holidays and like to start shopping early – now is your chance – I’m having a pre-holiday sale with 25% off everything!!
Now I’m off to find my flip-flops and begin the wind down!! ๐
My 100 day project timeย lapse compilations are growingย (you can check out the othersย over here)ย
The pages in this book got layered over again and again – some began many months earlier – and then were then re-imagined many times in the 100 days.
This page began where I’d written the manifesto for the previous year’s 100 day project.ย An Actual Manifesto! Lawks!!
Never before had I felt called to write myself such a formal plan, but one morning last year I woke up from a vivid dream with an irresistible compulsion. Then a little over a year later I painted over it.
Watch how morphed over the 100 days here –
If you’d like to be first to see what’s happening in my colorful world, sign up for my monthly-ish studio musings newsletter.
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I’ve spent so many hours in the world between the pages of this book.
From the layers of drawings and doodles, to reliving the experience via editing the videos I made for the 100 days project, each page has developed a narrative.
I work fast because one thought spawns a dozen new ideas and I have to run to catch as many as I can.
In this spread it was the stitches along the page edge that generated the triangular patterns, then the edges of the paint streaks which wanted more attention, emerging into solid shapes that demanded stripes, squiggles & spots.
Before I knew it, there were faces emerging.
I’ll be honest – right from the moment they began to appear – I wasn’t quite comfortable with this crowd.
As small and flat as their grinning faces were, I felt outnumbered, and until I redressed this balance I had an uneasy sense here.
Having looked thoroughly disgruntled throughout, the character who remained at the end took on a certain poise and dignity when the others left. Now she clearly owns this spread.
The rest of the characters in this art journal also have a destiny that’s yet to be fulfilled. Catch my August Studio Musings Newsletter to find out more. If you haven’t already done so – hop in here!
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Since I finished my 100 days project I’ve been editing together some of the time lapse process videos to look back at the evolution of these pages. Here is part 5.
Ink over gesso never fails to make me happy.
water splashes on ink on gesso make magical patterns
In this spread I began by gessoing over a page of scribbled color. Then came pebeo colorex inks running through the gesso texture, then ecoline brush pens for their juicy transparent colors that layer like nothing else.
If I’d left this page there, I would have been happy, but this challenge involved pushing through a few ‘finished already’ stages into new territory, in this case it was with water-soluble graphite and watercolor pencils, then lastly a white chalk marker.
It’s curious to relive the visual journey. There’s nothing like filming the process to relive the ‘why did I do that?’ moments.
Time Lapse Compilation: part 3
If you’ve been here before, you’ll know that lately I’ve been documenting my art journaling process through a series of time lapse videos.
It’s curious to relive a visual journey. There’s nothing like filming the process to relive the ‘why did I do that?’ moments. These came up a lot early on but I’m noticing a desensitising effect with practice, and letting go of expectations. Process is process.
Nonetheless, the push and pull of loving/hating the direction it’s taking remains real. It took a really long time for me to catch on where this one wanted me to lead it.
The irony of the words that fell onto this page is not lost on me, from an interview with Sabrina Ward Harrison: “Splendidly Imperfect and Alive”.
This video is a compilation of little time lapse videos taken over a few weeks of back-and-forth-ing on this spread.
The more time I spend in art making, the more I find parallels between a creative practice and all the other everyday-everythings. Seems to me, how we make tends to mirror how we live – bravely – messily – stubbornly – inconsistently… all of these are here!
Releasing the butterfly
This particular spread got so sticky because I reeeally didnโt want to lose that butterfly. I painted and drew around him until I had such a mess there was no other option, ultimately burying him under a new layer of paint to ease the intensity of so much going on. I was resisting letting go.
I’ll post the next in this series soon. To catch it ahead of everyone else + get monthly-ish updates on my other colorful studio antics, join up for my newsletter here.
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