Category: 100dayproject

Because this time I’ve chosen to make my 100 pieces all at once instead of one per day, it’s proving tricky to see how far it’s progressing.

I’ve posted daily snippets of progress over on IG, including short videos & time-lapses showing some of the ways I’ve been keeping on top of this ridiculous number of works!

Adding a layer to a bunch of paintings all at once by drawing across them as one was fun. The spaces and shapes the big abstract squiggle made on each piece connects them, and also makes a individual drawing on each.

Filling in the gaps in between made these sweet sibling painting pairs.

Whole families of similarly colored pieces began forming, and this whole endeavor feels like a new community forming.

I look at these and consider: would a less complicated person call these finished?

Which leads me to wonder if an unconscious part of me decided to tackle the project this was a way to work on the art of knowing when something’s done.

One thing’s for sure, I don’t want to spend days 98 & 99 in a mad scramble of adding last touches to dozens of paintings. That sounds like such a ‘me’ thing to do.

So I’m thinking the second half of this marathon should focus on the process of final layers and finishings.

This is the where we are at, day 50, the end of the beginnings snd the beginnings of the the endings.

I’ll be back soon with news on the other doings and goings on in my studio. Meanwhile, to be first to see what I make and find out the thinking behind it, do sign up for my monthly-ish newsletters.

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#100daysofQuietColor

We are 6 weeks into the 100 day project and I’m really loving this challenge.

Every day I post snippets of progress on IG, photos, videos & time-lapses of the layers adding up.

There’s a box on my desk homing the 100 started paintings, and at any one, time several are scattered across every flat surface around me as the newest layers dry!

Here are a few of the pieces I’ve been playing with this week.

So far I’ve used watercolours, acrylics and inks for larger blocks of color and graphite, charcoal, markers and fine liners for the details.

Is that all? It’s been a dizzying blur (but in the best possible way)

Yeh, then there was some potato printing & stamping with a recycled hot water bottle. I’m feeling like some collage elements could be showing up soon, and maybe some stitching too. watch this space! 😉

Next Sunday marks day 50, so I’ll be back next week with a special post at the half way point.

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#100daysofQuietColor

On 31 January I set myself the task to create 100 paintings in 100 days (see how it came about here).

I’ve been experimenting with different media and techniques, adding a little bit to a bunch of these paintings every day. Part of this challenge is to keep the colours quiet and muted, which doesn’t come naturally to me.

A few blue backgrounds were looking a little too vivid so I toned them down with grey to get back on track 😉

A bonus I did not expect from working in this whole new palette is that I’m getting much more of a buzz from the other (full volume color) projects that I’m working on at the same time.

To fully mix my metaphors, it feels like I’m getting a more balanced diet visually speaking, and I’m loving the contrast in flavours.

(I just finished a particularly colorful project, which I’ll tell you all about next week)

I enjoy using text in my art.

Either beginning with a word that fills the page and ornamenting it into something new, or using scribbled thoughts and chunks of wordage to fill blocks and shapes.

In the last few days I’ve been adding some time lapse videos of the process to the Instagram posts – I love re-watching the way pieces like this take shape as black ink squiggles about on wet paper.

To keep track of how many paintings I’ve started I began numbering them, which lead me to listing some words & thoughts on the back (As inspired by the great artist & teacher, Jesse Reno). Sometimes it’s a color I want to remember, or a thought that’s shown up (future me might bury that under more paint, so I’ve left her a note just in case).

As the layers build up, the lists will grow. Every painting will have its own little chronology. Some might become a poem, or a name for the painting might emerge. We’ll have to wait and see 😉

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#100daysofQuietColor

My strategy this year is not to make a complete painting every day, but still to make 100 paintings in 100 days.

Because the way I work best is to have lots of pieces on the go at any time. I hop about between them and the ideas cross pollinate. These 100 days of Quiet Color are taking a familiar route, spiraling through layers and iterations of pattern.

Right now I’m all about watercolor and ink in swirly shapes (beginning with words which quickly evolve into more abstract shapes). Some already have a lot of tiny details,

(while these first colors are drying I move onto another one)

While others are washes and blobs of color – just a very beginning.

The quiet colors de jour are Payne’s Grey, Indigo & Sepia with a bit of Black & White gouache.

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#100daysofQuietColor